| 2012 | Benedict Taylor, Albert Gier, Meinhard Saremba Sullivan Perspektiven: Arthur Sullivans Opern, Kantaten, Orchester- und Sakralmusik. Oldib-Verlag, 2012 |
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| 2011 | Benedict Taylor: Der Musiker Arthur Sullivan Ästhetik und Kontext. Arthur Sullivan Musik-Konzepte 151. Edition Text+Kritik, 2011. 5-21 |
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| 2011 | Benedict Taylor: Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. Cambridge University Press, 2011 |
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| 2010 | Benedict Taylor: Cyclic Form, Time and Memory in Mendelssohns A minor Quartet, Op. 13. In: The Musical Quarterly, 2010, 45-89 |
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| 2010 | Benedict Taylor: Modal four-note pitch collections in the music of Dvořáks American period. In: Music Theory Spectrum, 2010, 44-59 |
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| 2010 | Benedict Taylor: On Time and Eternity in Messiaen. In: Judith Crispin Messiaen: the Centenary Papers. Cambridge Scholars Publishing, 2010. 222-243 |
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| 2009 | Benedict Taylor: 'The Lost Chord': Sentimentality, Sincerity, and the search for 'Emotional Depth' in 19th-Century Music. In: International Review of the Aesthetics and Sociology of Music, 2009, 207-233 |
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| 2009 | Benedict Taylor: Berg and Modernity: Ambivalence, Synthesis, and remaking of tradition in the String Quartet op. 3. In: Studia Musicologica, 2009, 29-48 |
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| 2009 | Benedict Taylor: Beyond Good and Programmatic: Mendelssohns Reformation Symphony. In: Ad Parnassum, 2009, 115-127 |
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| 2009 | Benedict Taylor: Resituating Gilbert & Sullivan: The Musical and Aesthetic Context. In: David Eden, Meinhard Saremba, The Cambridge Companion to Gilbert and Sullivan. Cambridge University Press, 2009. 36-49 |
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| 2009 | Benedict Taylor: Review of Brian Newbould, Schubert and the Symphony: A New Perspective (Toccata Press, 1992). In: Ad Parnassum, 2009, 11-15 |
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| 2008 | Benedict Taylor: Musical History and Self-Consciousness in Mendelssohns Octet, Op. 20. In: 19th-Century Music, 2008, 131-159 |
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| 2008 | Benedict Taylor: Nostalgia and Cultural Memory in Barbers Knoxville: Summer of 1915. In: Journal of Musicology, 2008, 211-229 |
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